Self-Publishing Hitman: How IO took control of its destiny - Interview with Hakan Abrak

Hitman: World of Assassination
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Co-owner, CEO, Hakan Abrak
Self-publishing Hitman: How IO took control of its destiny

Notables:

  1. strongly considered to release Hitman 3 episodically with Dubai released in the first month, in August 2020. Would everyone have preferred to get Dubai mission five months earlier, with monthly releases after that?

  2. With regards to future content of Hitman:

"We are giving Agent 47 a rest for awhile after finishing the trilogy, but it doesn’t mean that things aren’t happening – there are some cool ideas that we are looking into and some of these will bear fruit"

  • Sounds like some novel DLC content beyond the Seven Deadly Sins. –
  1. There is a major IPs that IOI is focused on besides James Bond and Hitman:

“It is something a bit different. A completely different universe. A love child which many on the team have been dreaming to developing for a long time.”

  1. if could do anything over again for Hitman 3 it would be to get more support from external partners to help with game launch issues.

  2. looking back on it, Hakan wished that advertising dollars were spent differently for Hitman 3’s launch.

  3. after breakup with Square Enix in 2017, 3 months of cash flow, focus was on just survival, and to finish putting together the trilogy.

  4. Publisher Warner Brothers pushed to have Hitman 2 released before Christmas 2018, whereas IOI wanted to release Hitman 2 in January 2019.

  5. IOI needed to get a new publishing ID to port Hitman2016 within Hitman 3 because Square Enix owned the previous publishing ID.

  6. In becoming independent, IOI has had to focus more on analytics on what features players preferred in terms of Hitman content since they couldn’t rely on this analytical data coming from a publisher, The change in focus in developing escalations vs elusive targets vs sniper maps vs multiplayer Hitman, have come from analytics of player preferences.

  7. In being independent, IOI has had to learn about the algorithms of digital purchases (such as within the Epic Game store) and learn of what marketing approaches work for selling Hitman, such as selling a “free style pack” of tutorial missions bundled with a few others missions.

  8. IOI hints that they are likely to be releasing a multiplayer online game (someday).

  9. Switch Cloud approached IOI very Iate in the development of Hitman 3 to put Hitman 3 onto Switch. Hitman is heavy on CPU usage besides graphics cards, making the port to Switch difficult.

  10. IOI is planning on publishing their own games from now on, but may be publishing other developers games as well, especially those developers who have a similar culture as IOI.

  11. IOI still may publish their games with a different publisher, even though they published Hitman 3 and a future Bond game themselves.

  12. IOI hopes to be the “most desired game developer” to work for in Europe by 2024. They have three studios: Barcelona, Copenhagen and Malmo, and planning to double in size to 400 within 2 to 4 years.

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Personally, yes. I kind of miss the episodic nature of the first game because of how much closer the community came together as each episode came out. Every month you would return to hitman for a couple of weeks to try out the new content and thoroughly enjoy it on its own merit. This really helped to sustain the game life cycle

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Absolutely.

I fell in love with the episodic release model between Paris and Sapienza in H1. Having to wait a month between locations really made me squeeze every bit of content possible out of the locations because the next one wasn’t there just waiting to be played.

The H1 locations are easily the ones that I’ve played the most individually and I know completely inside and out. I’ve never played the H2 and H3 locations as thoroughly as I did in H1 because of everything coming out at once and there just being so much to do that I’ve just not studied and learned them as much.

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This is just something I thought about but what if instead of calling it an episodic release they instead call it early access?

It’s just a change of words, nothing major, but could the episodic release be more successful? The ideal scenario would be instead of thinking it is holding back content to pad out the live content, most people will think that the game is allowing players to see and play the game before it gets an official release. So instead of something negative, it’s thought of as a positive thing.

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Very good interview indeed, I played it a few days ago during my lunch break.

Yes, definitively. But I understand why they chose a standard release after 2016 chaos, even with more of community trust since. Feedback shows that it worked both commercially and critically, and this is very important to bring future investors.

It can mean anything but I understand it in the same way too. In my opinion the COVID had an impact on possible DLC production (voice actors…etc).

He says that overall the launch was pretty well managed on all 10 platforms (and it’s true) except for the online part and progression carryover.

IMO, it is true that there was a bug that prevented randomly some players to login during 5 days but overall the servers performed honourably during the release window. With some performances issues but with the ability to login immediately. It could have been worse, way worse for a full online game. Progress carryover website was down less than 24 hours.

He also mentions the lack of a dedicated and official support platform to process people’s feedback and that they were too slow to communicate at launch. Indeed, while HMF is a great place and a effective way to get players reports, it’s a community-driven forum.

And he says that initially they wanted to launch H2 content inside H2016 launcher as a DLC, but without the previous publishing ID, they had to create a brand new game and negotiate a Legacy Pack scheme with the digital platforms partners and some just weren’t ready for that since they have thousands of customers (other games devs), IO couldn’t ask too much, so they did their best.

What I find interesting is that some people at IO were not very enthusiastic about adding a new and unfamiliar platform, but that the team behind this cloud solution was very proactive and efficient, which allowed them to solve all the issues and release the game in time.

IO has a great in-house porting capability though (industry experience and in-house engine are the keys here).

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  1. The fact that IOI was even considering the episodic format of release of Hitman III indicates that IOI was considering the risk because many core Hitman fans would have preferred it that way.

  2. Hakan Abrak was discussing future Hitman content in terms of the team brainstorming ideas that would eventually bear fruit → really sounds like something long term beyond the Seven Sins DLC.

  3. Hitman 3 was a huge financial success (3x greater than Hitman2016/Hitman 2), and it was a miracle that IOI managed to have everyone’s port on the dozens of different platforms and variants within a short time. If asked to offer something that Hakan would have done differently, that was it mostly, but it turns out to be more an annoying temporary issue than something bigger.

  4. It sounds from Hakan that IOI are relieved in not having to deal with legacy content within the Hitman trilogy tied to previous publishers. Sounds like the team at IOI were happy to take over all responsibilities associated with being independent and doing everything in house, rather than relying on others.

  5. Hakan projects a very rosy outlook of IOI’s future in this interview. It is clear that they were nearly dead as a company a few years ago, and now have a lot of confidence going forward because they climbed out of their downturn by themselves.

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Bumping for a new 80-minute long podcast interviewing our overlord Hakan:

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Relevant infos:

  • The studio is creating a new Bond for the gamers, not for cinema, for “many many years to come”
  • It’s liberating and exciting for them to create a character who “speaks” and “has a personality”
  • There are stuff that Agent 47 does that Bond won’t be able to do
  • The approach in the gameplay will be free, but also curated / linear sometimes
  • HITMAN (2016) costed around 70 million $ to produce (3 and a half years of development); HITMAN 2, 40 million $ (2 and a half years of development); HITMAN 3, 20 million $ (19 months of development)
  • HITMAN 3 has the highest Metacritic score and is the best-selling game
  • IOI employs over 400 people; the dream goal is that each studio accepts 150 people
  • Hakan Abrak is born in 1977, so he is 47. :cursed_grin:
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sorry, i realise i’m years late here but this is genuinely shocking to me. i must be incredibly out of touch because i thought most people disliked the escalation-ification of live content, but it was driven by analytics this whole time??? :woman_facepalming:

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